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Entries in mfah (7)

Is it Art? Is it Food?? It is BOTH!!

What Enhance your experience of Koloman Moser: Designing Modern Vienna, 1897–1907 by slipping into Café Vienna to enjoy Austrian music, bites, coffee and wine in a café environment specially designed by Punita Valambhia Interiors in collaboration with Decorative Center Houston.

After refreshments, curators Cindi Strauss and Marissa Hershon discuss Koloman Moser’s work and invite guests on an exclusive tour of the exhibition. These special viewings take place on select Mondays, when the Museum is closed to the public.

Koloman Moser: Designing Modern Vienna, 1897–1907 is the first museum retrospective in the United States to focus on Viennese artist and designer Koloman Moser (1868–1918), a leading figure in the modern design revolution that swept Vienna at the turn of the 20th century. The exhibition surveys his career in 200 objects including furniture, jewelry, textiles, prints and designs for architectural interiors.

When: Mondays, October 28, November 4 and November 11

Seatings at 10 a.m. and 1 p.m.

Where:  Lower Level, Audrey Jones Beck Building

5601 Main Street

Houston, Texas 77005

Details: Admission is $55 for MFAH Members and $65 for nonmembers. Find more information and purchase tickets online at www.mfah.org/cafevienna.  

Posted on Tuesday, October 29, 2013 at 10:31AM by Registered CommenterDISHhouston in , , , , , , | CommentsPost a Comment

Dr. Ruth Westheimer at MFAH

Photo Credit Marianne Rafter

Dr. Ruth Westheimer, an internationally known authority on human sociology and sexuality and author of the book The Art of Arousal: A Celebration of Erotic Art throughout History, will be in conversation with MFAH director Gary Tinterow on the evening of Tuesday, June 4, 2013 at 6:30 with a reception will follow the conversation. This discussion marks the second in the series Conversations with the Director, a new public program at the Museum of Fine Arts, Houston, that brings an eclectic mix of cultural figures to the Museum’s Brown Auditorium three times a year. 

Tickets for the Conversations with the Director series are $15 for students, $25 for MFAH members and $35 for the general public. Tickets for the June 4 event with Dr. Ruth Westheimer are available online www.mfah.org by phone at 713.639.7771; or at any MFAH admissions desk.

 

On April 23, the Conversations with the Director series launched with a conversation between MFAH director Gary Tinterow and artist Jeff Koons. Additional guests for the series will be announced later in the year. The series is presented by Louis Vuitton

This series is presented by Louis Vuitton. A symbol of elegance and style throughout the world, Louis Vuitton has cultivated a close relationship with the world of art since its founding in 1854. Consistent with the creativity and craftsmanship that have inspired the brand, Louis Vuitton is dedicated to sharing its creative passion in each community it serves.

MFAH Opening: James Turrell: The Light Inside

No doubt you've heard of the Turrell Skyspace on the Rice University Campus. It has captured the hearts and minds of thousands of Houstonians at dawn and sunset showing us a new way to watch the sun's transformation. 

James Turrell Skyspace, Rice University Campus

There is a new instilation coming from this amazing light master to the Museum of Fine Arts, Houston. The exhibition is called James Turrell: The Light Inside.

James Turrell: The Light Inside explores the remarkable career of James Turrell (b. 1943), a pioneer in the Light and Space movement that transformed the landscape of American Art.  Open to the public June 9 through September 22, 2013, this monumental presentation fills the Museum’s 22,000-square-foot Brown Pavilion and features seven of Turrell's immersive light environments, ranging from his first projections of the late 1960s to his most recent Tall Glass series of 2010–13. Also on view are three major print portfolios and documentation of the evolution of Roden Crater, Turrell's life work in the Arizona desert. Drawn from the Museum's unparalleled collection, the exhibition takes its title from The Light Inside, commissioned by the Museum in 1999 as a permanent installation for The Wilson Tunnel. James Turrell: The Light Inside is part of a nationwide celebration of Turrell’s work and was conceived in conjunction with simultaneous exhibitions mounted over the summer of 2013 at the Los Angeles County Museum of Art and the Solomon R. Guggenheim Museum.

James Turrell, End Around: Ganzfeld, 2006, neon and fluorescent light, (2007 installation at Pomona College Museum of Art, Claremont, CA. © James Turrell / Photography © Florian Holzherr

This exhibition is organized by the Museum of Fine Arts, Houston, in conjunction with the Los Angeles County Museum of Art and the Solomon R. Guggenheim Foundation, New York.

The exhibition is dedicated to the memory of Isabel B. Wilson, Chairman Emeritus of the Museum of Fine Arts, Houston.

Ewan Gibbs: Arlington National Cemetery

Opening November 11, 2012 and on view through February 10, 2013 is the Ewan Gibbs: Arlington National Cemetery at the Lower Brown Corridor, Caroline Wiess Law Building, The Museum of Fine Arts, Houston.

This exhibition of drawings and photographs opens on Veterans Day and recognizes the impact of a visit to Arlington National Cemetery. British artist Ewan Gibbs (born 1973) trained his expert eye on the iconic site to create a series of 16 drawings based on photographs taken during previous visits. The exhibition also presents 36 photographs from the MFAH collection by artists who served as inspiration to Gibbs.

On display together, the drawings and photographs underscore Gibbs’s interest in visual perception, specifically the role the human eye plays in viewing and processing visual material.

This exhibition was conceptualized by the late MFAH curator Barry Walker. The exhibition is organized by Yasufumi Nakamori, MFAH -associate curator for photography; and Rebecca Dunham, MFAH curatorial assistant for prints and drawings.

Generous funding for this exhibition and its accompanying catalogue is provided by the following donors in memory of Barry Walker: John Blackmon and John Roberson; Jeanne and Michael Klein; Lora Reynolds and Quincy Lee; Scurlock Foundation; Lynn Goode and Harrison Williams; Lea Weingarten; and Kelty and Rogers Crain.

Additional support is provided by Amanda and Glenn Fuhrman and Tassy and Mitch Beasley.

 

One of the World's Finest Still Life Artists - Willem van Aelst at MFAH

BY DISH CONSTIBUTOR MONIQUE WESTON:

The first-ever exhibition of 17th-century Dutch painter Willem van Aelst is premiering at the Museum of Fine Arts, Houston (MFAH) from March 11–May 28, 2012. Elegance and Refinement: The Still-Life Paintings of Willem van Aelst showcases 28 of the artist’s finest works over the range of his career, chosen from private and public collections in the US and Europe. The paintings of Willem van Aelst were among the most prized in the Netherlands in the second half of the 17th century, but his work had fallen into obscurity by the 19th century. The new exhibition aspires to restore Van Aelst’s prestige by highlighting his technical brilliance, attention to detail and virtuoso brushwork for 21st-century viewers.
 
Willem van Aelst (1627–1683) painted still lifes that are remarkable for their fine finish, carefully balanced composition, elegant subject matter, and rich, jewel-toned palette. He played an important role in the trending of Dutch painting at the time toward greater elegance and refinement.
 
Born and trained in Delft, he spent most of his life in Amsterdam, but his work was forever transformed by the decade he spent abroad as a youth—first in France and then in Florence, at the Medici court. There, he executed commissions from the Medicis and other elite clients. His work typically depicts arrangements of fresh fruit and flowers; precious domestic objects, such as sumptuous drapery and Venetian glassware; displays of dead game; and plants growing on the forest floor. Van Aelst adapted his choice of subject matter to please his patrons, but also included objects that reflect his personality – literally. The jewel in the crown of the collection is a stunning composition which includes the artist’s self-portrait, visible in a goblet. To further enrich his luxury subject matter, Van Aelst liberally used ultramarine, a very expensive pigment made from lapis lazuli, imported from Afghanistan.
 
Also on view is a large-scale painting, formerly credited to Rotterdam master Willem Kalf, which was recently reattributed to Van Aelst during a technical examination by a National Gallery of Art conservation scientist. The painting is full of trademark Van Aelst flourishes: an excess of fringed decoration, rich colors typical of the Paris compositions, highlights suggested with dabbled paint and even a previously overlooked partial monogram on a medal with the letters “VA.” This work is the artist’s most complex from the Paris period and was likely commissioned by René II de Froulay, Comte de Tessé.

 

The exhibition is co-curated by James Clifton, Director of the Sarah Campbell Blaffer Foundation and Curator of Renaissance and Baroque Painting at the MFAH, and Arthur Wheelock, Curator of Northern Baroque Painting at the National Gallery of Art. The project was conceived by Tanya Paul, Ruth G. Hardman Curator of European Art at the Philbrook Museum of Art in Tulsa, following her Ph.D. dissertation on Van Aelst. The project developed while Ms. Paul was a curatorial fellow at the Sarah Campbell Blaffer Foundation in Houston.

 

A hardcover, illustrated catalogue of the same title accompanies the exhibition—the first book dedicated solely to Van Aelst’s oeuvre, with essays by Clifton, Wheelock, Paul and Julie Berger Hochstrasser, among others.

 

The exhibit will travel to the National Gallery of Art, in Washington, D.C., after May 28.
For information on vising the exhibit CLICK HERE
Posted on Monday, March 12, 2012 at 10:42AM by Registered CommenterDISHhouston in , , , , | CommentsPost a Comment
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